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Posts Tagged ‘morgue’

Horror of the Morgue!

In Critics, Olympia's Degradation, The Black Cat on May 11, 2010 at 4:27 pm

V. de Jonkevitz in Salon de 1865, May 21st, 1865:

The expression on the face is that of a premature and vicious creature ; the body, the colour of which reminds one of meat that has hung for too long, is reminiscent of the horror of the Morgue. A hideous negress dressed in pink is holding on her side the bouquet of a doubtful allegory, whilst a black cat arching his back comes and prints the unequivocal trace of the place in which he treaded with his paws on the sheet.

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Olympia called the Hottentot Venus & morgue-like again…

In Courtesan & Prostitute, Critics, Olympia's Degradation, The Black Cat on May 11, 2010 at 4:20 pm

Caricature of Saartjie Baartman, called the "Hottentot Venus"

Critic Geronte writes, May 21st, 1865:

That Hottentot Venus with a black cat, exposed completely naked on her bed like a corpse on the counters of the morgue, this Olympia from the rue Mouffetard [a notorious haunt of prostitution at the time], dead of yellow fever and already arrived at an advanced state of decomposition.

Olympia again decried as putrified and morgue-like

In Critics, Olympia's Degradation on May 11, 2010 at 4:12 pm

Flaubert’s friend Paul de Saint-Victor describes, May 23rd, 1865:

“the crowd thronging in front of the putrefied Olympia as if it were at the morgue.”

The Critic “Ego” speaks – I despise Olympia

In Courtesan & Prostitute, Critics, Olympia's Degradation on May 11, 2010 at 3:32 pm

Manet, Olympia, 1863.

In Le Monde Illustre, May 13th, 1865.

The “august jeune fille” is a courtesan, with dirty hands and wrinkled feet; she is lying down, wearing one Turkish slipper and a red cockade in her hair; her body has the livid tint of a cadaver displayed in the morgue; her outlines are drawn in charcoal and her greenish, bloodshot eyes appear to be provking the public, protected all the while by a hideous Negress.

All is drawn with coal all around and soft soap in the middle.

No, never has anything so… strange been hung on the walls of an art exhibition.

Olympia is compared to a morgue

In Critics, Olympia's Degradation on May 11, 2010 at 3:20 pm

Critic Victor de Jankovitz writes, June 4th, 1865

The author represents for us under the name of Olympia a young girl lying on a bed, having as her only garment a knot of ribbon in her hair, and her hand for fig leaf.  The expression of her face is that of being prematurely aged and vicious; her body, of a putrefying colour, recalls the horror of the morgue.